2017

WALKERS: A MOTIF IN PHILIPPE GARREL / Co-author: Adrian Martin / MUBI Notebook / May 2017 / [EN]
Audiovisual essay + text exploring the variations of a recurring motif in Garrel’s cinema: walking.

WRAPPED IN PLASTICITY: TWIN PEAKS / Co-author: Adrian Martin / Sight & Sound / April 2017 / [EN]
Audiovisual essay about the handling of Laura Palmer’s traces in the first season of Twin Peaks.

THE HOLY FAMILY / Co-author: Adrian Martin / De Filmkrant / April 2017 / [EN]
Audiovisual essay exploring the similarities between Le Révélateur (Philippe Garrel, 1968) and The Grandmother (David Lynch, 1970).

ELLE / Co-author: Adrian Martin / Sight and Sound, vol.27, no. 4; p. 78 / April 2017 / [EN]
Review of Paul Verhoeven’s Elle (2016).

PIECES OF SPACES / Co-author: Adrian Martin / De Filmkrant / March 2017 / [EN]
Audiovisual essay exploring the relations between The Entity (Sidney J. Furie, 1982) and Outer Space (Peter Tscherkassky, 1999).

WHAT IS AN ICEBERG? / MUBI Notebook / March 2017 / [EN]
Analysis of the opening minutes of Transe (Teresa Villaverde, 2006).

ISABELLE HUPPERT: THE ABSENT ONE / Co-author: Adrian Martin / The Third Rail, issue 10 / March 2017/ [EN]
Text about Isabelle Huppert’s acting style.

“I FURROW MY OWN FILM INSIDE THOSE I PASS THROUGH”: ISABELLE HUPPERT / Co-author: Adrian Martin / The Third Rail, issue 10 / March 2017 / [EN]
Audiovisual essay about Isabelle Huppert’s acting style.

WATER AND STONE / Co-author: Adrian Martin / Kino Lorber / March 2017 / [EN]
Audiovisual essay for the Lovers On The Bridge DVD/Blu-ray released by Kino Lorber. Originally published at MUBI Notebook.

A RESPONSE TO JESSICA MCGOFF’S “TEXT VS. CONTEXT”: UNDERSTANDING THE VIDEO ESSAY LANDSCAPE / Co-author: Adrian Martin / March 2017 / [EN]

THE RERUN / Co-author: Adrian Martin / The Music / March 2017 / [EN]
Music video for Underground Lovers’ “The Rerun”.

ALMOST SINGING, ALMOST DANCING / Co-author: Adrian Martin / MUBI Notebook / March 2017 / [EN]
Audiovisual essay + text on Chantal Akerman’s Tomorrow We Move (2014).

ONE HELL OF A RIDE / Co-author: Adrian Martin / De Filmkrant / February 2017 / [EN]
Audiovisual essay on Inland Empire (David Lynch, 2006) and Smiley Face (Gregg Araki, 2007).

THE WORLD AND ITS IMAGE: THE BLUE ANGEL / Co-author: Adrian MartinMUBI Notebook / February 2017 / [EN]
Audiovisual essay + text on Josef von Sternberg’s The Blue Angel (1930).

NOUS AUSSI, ON VEUT DES ROSES / Carlotta / February 2017 / [FR]
French translation of my text on Immoral Tales (1974) and The Beast (1975) for the ‘WALERIAN BOROWCZYK’ DVD/Blu-ray box set released by Carlotta.

FANTASMAGORIE DE L’INTÉRIEUR / Co-author: Adrian Martin / Carlotta / February 2017 / [FR]
French version of our audiovisual essay on The Strange Case of Dr Jekyll and Miss Osbourne (1981) for the ‘WALERIAN BOROWCZYK’ DVD/Blu-ray box set released by Carlotta.

ENTREVISTA: POÉTICAS DEL ENSAYO AUDIOVISUAL / Correspondencias. Cine y pensamiento, nº. 00 / Febrero 2017 / [ES]
Entrevista sobre ensayos audiovisuales + selección de piezas propias.

WRITING IN IMAGES AND SOUNDS / Co-author: Adrian MartinSydney Review of Books / February 2017 / [EN]
Text on audiovisual essays with case studies.

MELTING POT [Authors’ title: LETTERS FROM AN UNKNOWN WOMAN] / Co-author: Adrian Martin / Sight and Sound, vol. 27, no. 2; pp. 62-63 / February 2017 / [EN]
Text about the films of Rita Azevedo Gomes.

INTERVIEW: [CÁL] / Silent Frame / January 2017 / [EN]
Brief interview for Silent Frame, a website devoted to the art of discovery, where I recommend some favourite artworks.

WISH I HAD A RIVER / Co-author: Adrian Martin / De Filmkrant / January 2017 / [EN]
Audiovisual essay on a scene in Partie de campagne (Jean Renoir, 1936).

RELAY: A TAKE IN MIKLÓS JANCSÓ’S ‘THE RED AND THE WHITE’ / Co-author: Adrian Martin / MUBI Notebook / January 2017 / [EN]
Audiovisual essay + text on a long take from The Red and The White (1967).

HAUNTED MEMORY / Co-author: Adrian Martin / BFI / January 2017/ [EN]
Audiovisual essay on the films of Víctor Erice, originally published at Sight and Sound, included in the BFI DVD/Blu-ray of El Sur (1983).