2016

MASTER OF PERSPECTIVE / Co-author: Adrian Martin / MUBI Notebook / December 2016 / [EN]
Audiovisual essay + text on Fritz Lang’s Scarlet Street (1945).

THE THINKING MACHINE #3: ALWAYS A WINDOW / Co-author: Adrian Martin / De Filmkrant / December 2016 / [EN]
Audiovisual essay on Luis Buñuel’s Abismos de pasión (1953).

CHINA DOLL / LOLA (issue 7) / November 2016 / [EN]
Brief text on Frank Borzage’s China Doll (1958) for the collective dossier ‘Two Dollar Movie’.

WISHFUL SPACE / Co-author: Adrian Martin / MUBI Notebook / November 2016 / [EN]
Audiovisual essay + text on W. F. Murnau’s Nosferatu (1922).

GUESTS / Co-author: Adrian Martin / O Estudio Creativo / November 2016 / [EN]
Audiovisual dialogue between Leonard Cohen’s “The Guests” (1979) and Stanley Kubrick’s Eyes Wide Shut (1999).
HUÉSPEDES / Coautor: Adrian Martin / O Estudio Creativo / Noviembre 2016 / [ES]
Diálogo audiovisual entre “The Guests” (Leonard Cohen, 1979) y Eyes Wide Shut (Stanley Kubrick, 1999).

A TOUR THROUGH FRENCH NOIR / Co-author: Adrian Martin / Sight & Sound / November 2016 / [EN]
Audiovisual essay on French film noir featuring six of the films included in a BFI season.

THE THINKING MACHINE #2: DECISIONS, DECISIONS / Co-author: Adrian Martin / De Filmkrant / November 2016 / [EN]
Audiovisual essay that contrasts the directorial decisions taken in two key scenes in Robert Rossen’s The Hustler (1961) and Woody Allen’s Magic in the Moonlight (2014).

ROMAN POLANSKI: A CINEMA OF INVASION / Co-author: Adrian Martin / ACMI / October 2016 / [EN]
Audiovisual essay on the films of Roman Polanski to accompany the ACMI season Roman: 10 x Polanski.

THE THINKING MACHINE #1: DEATH-DRIVE / Co-author: Adrian Martin / De Filmkrant / October 2016 / [EN]
Audiovisual essay on Girl on a Motorcycle (Jack Cardiff, 1968).

CHINA DOLL / De Filmkrant / October 2016 / [NL]
Dutch translation of my brief text on Frank Borzage’s China Doll (1958) for the collective dossier “De twee euro-film”.

GEOMETRIES OF DESIRE, FLIGHTS OF LANGUAGE / Fandor / September 2016 / [EN]
On José Luis Guerin’s The Academy of Muses (2015).

NOTHING OF THE SORT / Co-author: Adrian Martin / Comparative Cinema (issue 8) / September 2016 / [EN/ES/CAT]
On Barbara Loden’s Wanda (1970).

HAUNTED MEMORY / Co-author: Adrian Martin / Sight & Sound / September 2016/ [EN]
Audiovisual essay on the films of Víctor Erice.

IMITATION, CONTAMINATION, DISSOLUTION / Co-author: Adrian Martin / MUBI Notebook / July 2016 / [EN]
Audiovisual essay + text on Bong Joon-ho’s Memories of Murder (2003)

QUEER GODARD / Co-author: Adrian Martin / May 2016 / [EN]
Audiovisual essay + text on the queer subtext of Jean-Luc Godard’s Masculin féminin (1966).

BROKEN RHYTHM / Co-author: Adrian Martin / MUBI Notebook / May 2016 / [EN]
Audiovisual essay + text on Nanni Moretti’s The Son’s Room (2001).

BIFURCATIONS / Fandor / May 2016 / [EN]
On Roberto Minervini’s The Other Side (2015).

WATER AND STONE / Co-author: Adrian Martin / MUBI Notebook / May 2016 / [EN]
Audiovisual essay + text on Leos Carax’s Les Amants du Pont-Neuf (1991).

PARATHEATRE: PLAYS WITHOUT STAGES (FROM IX TO XIII) / Co-author: Adrian Martin / MUBI Notebook / August 2014 / [EN]
Audiovisual essay (part 3 of 3) on Jacques Rivette’s Out 1 – Noli me tangere (1971). Commissioned by Chris Luscri for the 2014 Melbourne International Film Festival premiere of the film.

TENSIONS / Co-author: Adrian Martin / MUBI Notebook / April 2016 / [EN]
Audiovisual essay + text on John Cassavetes’ Gloria (1980).

WOMAN IN A LANDSCAPE / Co-author: Adrian Martin / Fandor / April 2016 / [EN]
Audiovisual essay + text on Barbara Loden’s Wanda (1970).

DRIFTING / Co-author: Adrian Martin / MUBI Notebook / March 2016 / [EN]
Audiovisual essay + text on João Pedro Rodrigues’ Odete (a.k.a. Two Drifters, 2005).

I’M STILL THERE / Co-author: Adrian Martin / Belgian Cinematek / February 2016 / [EN/FR/NL]
Audiovisual essay (22 min.) on The Boys from Fengkuei (1983) included in the ‘Hou Hsiao-hsien –Early Works’ DVD boxet.

A SWEET LITTLE VILLAGE / Co-author: Adrian Martin / Belgian Cinematek / February 2016 / [EN/FR/NL]
Audiovisual essay (16 min.) on The Green, Green Grass of Home (1982) included in the ‘Hou Hsiao-hsien –Early Works’ DVD boxet.

HAPPY NEW YEAR / Co-author: Adrian Martin / Belgian Cinematek / February 2016 / [EN/FR/NL]
Audiovisual essay (15 min.) on Cute Girl (1982) included in the ‘Hou Hsiao-hsien –Early Works’ DVD boxet.

LINES OF RESISTANCE / Co-author: Adrian Martin / Sight & Sound / February 2016 / [EN]
Audiovisual essay + text on Anne-Marie Miéville’s The Book of Mary (1985).

THE MAZE OF SUSAN LOWELL / Co-author: Adrian Martin / February 2016 / [EN]
Audiovisual essay + text on Joseph H. Lewis’ The Big Combo (1955) re-imagined as a woman’s melodrama.

RAVISHMENT / Fandor / February 2016 / [EN]
On the correspondences between Todd Haynes’ Carol (2015) and Roland Barthes’ A Lover’s Discourse (1977).

PRIMAL ANALYSIS / Transit / February 2016 / [EN]
Audiovisual essay + text on Phil Joanou’s Final Analysis (1992) as the cornerstone of an unglamourous teenage cinephilia.
ANÁLISIS PRIMIGENIO / Transit / Febrero 2016 / [ES]
Ensayo audiovisual + texto sobre Análisis final (Phil Joanou, 1992) como piedra angular de una cinefilia adolescente.

SUJETOS Y OBJETOS DE UN DISCURSO AMOROSO / Caimán Cuadernos de Cine (nº. 46), pp. 26-27 / Febrero 2016 / [ES]
Sobre Carol (Todd Haynes, 2015) y sus dos personajes femeninos en relación a Fragmentos de un discurso amoroso (Roland Barthes, 1977).

THE SEMANTICS OF ADVENTURELAND‘S MIXTAPE / Co-author: Adrian Martin / MUBI Notebook / January 2016 / [EN]
Audiovisual essay + text exploring the system of values expressed via the musical selection in Gregg Mottola’s Adventureland (2009).

WE WANT ROSES TOO / Fandor / January 2016 / [EN]
On Walerian Borowczyk’s Immoral Tales (1974) and The Beast (1975).

CHANTAL AKERMAN: A PRIMER / Co-author: Adrian MartinFilmkhaneh (vol 4, issue 15), pp. 155-163 / January 2016  / [PER]
Introduction to the work of Chantal Akerman (originally published in English by Sight & Sound). Persian translation by Vahid Mortazavi .

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