2014

ALL THINGS SHINING: AN ENCOUNTER WITH MIKE HOOLBOOM / Co-author: Adrian Martin / LOLA (issue 5) / December 2014 / [EN]
Interview with Canadian experimental filmmaker Mike Hoolboom during 2014 Curtocircuito Film Festival.

TODAS LAS COSAS BRILLAN: ENCUENTRO CON MIKE HOOLBOOM / Coautor: Adrian Martin / Transit / Diciembre 2014 / [ES]
Entrevista con el director canadiense de cine experimental Mike Hoolboom en la edición de 2014 del Festival Curtocircuito.

A CHILD OF TWO MOTHERS / Co-author: Adrian Martin / NECSUS (issue 6) / December 2014 / [EN]
Introduction to a new audiovisual section of the journal with two curated pieces: Found Found Found (Dirk de Bruyn, 2014) and Smells Like Armageddon Day – Dreamlike Settings and Magnified Trash (Laura Lammer, 2014).

THREE WOMEN / LOLA (issue 5) / November 2014 / [EN]
Audiovisual essay + text on women and shoes in Claire Denis’ Bastards (2013).

PARATHEATRE: PLAYS WITHOUT STAGES (FROM V TO XIII)Co-author: Adrian Martin / MUBI Notebook / November 2014 / [EN]
Audiovisual essay (part 2 of 3) on Jacques Rivette’s Out 1 – Noli me tangere (1971). Commissioned by Chris Luscri for the 2014 Melbourne International Film Festival premiere of the film.

UN CAMINO A TRAVÉS DEL BOSQUE / Coautor: Adrian Martin / Shangrila (nº. 22), pp. 8-12 / Noviembre 2014  / [ES]
Reflexiones sobre teoría y crítica del cine a partir de Jacques Rancière y las distancias.

NO MATARÁS (A UN PERRO) / Bong Joon-ho: La reinvención de los géneros (pp. 77-80) / SEMINCI-Caimán Cuadernos de Cine  / Octubre 2013 / [ES]
Capítulo sobre Barking Dogs Never Bite (2000) en el libro colectivo dedicado al director coreano.

STARTING OVER: THREE WAYS TO (TRY TO) CHANGE YOUR LIFE / Fandor / October 2014 / [EN]
On second chances and their bad turns in the following films: Samuel Fuller’s The Naked Kiss (1964), Orson Welles’ The Stranger (1946), Gustav Molander’s A Woman’s Face (1938), Terence Fisher’s Stolen Face (1952), Christian Petzold’s Yella (2007), Orson Welles’ The Trial (1962) and Claire Denis’ Trouble Every Day (2001).

THE ONE AND THE MANY: MAKING SENSE OF MONTAGE IN THE AUDIOVISUAL ESSAY / Co-author: Adrian Martin / The Audiovisual Essay: Frankfurt Papers / September 2014 / [EN]
A theoretical and practical approach to montage in the audiovisual essay. 

FELICITY CONDITIONS: SEEK AND HIDE / Co-author Adrian MartinMUBI Notebook / September 2014 / [EN]
Audiovisual essay + text on Fritz Lang’s Secret Beyond the Door … (1947).

FROM IDEA TO CONCEPT [in]Transition (issue 1.3) / September 2014 / [EN]
Audiovisual essays + text. Sketching a possible methodology for the making of audiovisual essays and analysing two examples: Alphaville – A Crystal Maze (Henrike Lindenberger, 2014) and Small Gestures: Le Silence de la mer (Cristina Álvarez López, 2014).  

HITOS DE UN VIAJE / Coautor: Adrian Martin / Caimán Cuadernos de Cine (nº. 30), pp. 22-24 / Septiembre 2014 / [ES]
Sobre el registro del tiempo en Boyhood (Richard Linklater, 2014). 

LA PELI QUE HABITO: ‘FANNY Y ALEXANDER’ / Transit / Septiembre 2014 / [ES]
Texto breve sobre Fanny y Alexander (Ingmar Bergman, 1982) para el especial colectivo ‘La peli que habito’.

PARATHEATRE: PLAYS WITHOUT STAGES (FROM I TO IV) / Co-author: Adrian MartinMUBI Notebook / August 2014 / [EN]
Audiovisual essay (part 1 of 3) + text on Jacques Rivette’s Out 1 – Noli me tangere (1971). Commissioned by Chris Luscri for the 2014 Melbourne International Film festival premiere of the film.

MATERIALIDAD Y MALEABILIDAD / Gobshite Quarterly (nº. 15) / Junio 2014 / [ES]
Sobre la racionalidad y la espiritualidad en el cine de Krzysztof Kieslowski. Reedición del texto (publicado originalmente en Transit) que acompaña al ensayo audiovisual Refraction  sobre La doble vida de Verónica (1992).
MATERIALITY AND MALLEABILITY / Gobshite Quarterly (issue 15) / June 2014 / [EN]
On rationality and spirituality in the cinema of Krzysztof Kieslowski. Reprint of the text (originally published at Transit) accompanying the audiovisual essay Refraction on The Double Life of Véronique (1992).

UN MÉTODO PELIGROSO /  Transit / Junio 2014 / [ES]
Sobre Mes séances de lutte (Jacques Doillon, 2013).

DESENCUENTRO /  Caimán Cuadernos de Cine  (nº. 28), pp.8-10 / Junio 2014 / [ES]
Sobre The Immigrant (James Gray, 2013).

[DE PALMA’S] VISION / Co-author: Adrian Martin MUBI Notebook / June 2014 / [EN]
Audiovisual essay + text analysing the question of vision in the work of Brian De Palma.

REFRACCIÓN: MATERIALIDAD Y MALEABILIDAD /  Transit / Mayo 2014 / [ES]
Ensayo audiovisual + texto inspirado en  La doble vida de Verónica (Krzysztof Kieslowski, 1992) y uno de sus enigmas no resueltos.
REFRACTION: MATERIALITY AND MALLEABILITYTransit / May 2014 / [EN]
Audiovisual essay + text inspired by an unresolved enigma in The Double Life of Véronique (Krzysztof Kieslowski, 1992).

PETITS DÉPLACEMENTS / Co-author: Adrian Martin / Chantal Akerman (pp. 108-110) / Bobigny: Magic cinéma / April 2014 / [FR]
Chapter in the book devoted to Chantal Akermanedited by Cyril Béghin & Dominique Bax. French translation by Cyril Béghin.

MANOEUVRING: A KEY TO AFTER HOURS / Co-author Adrian MartinMUBI Notebook / April 2014 / [EN]
Audiovisual essay + text on the networks of exchange, spirals of circulating objects and  hallucinatory substitutions in Martin Scorsese’s After Hours (1985).

EN UN LUGAR SOLITARIOTransit / Marzo 2014 / [ES]
Sobre Les Salauds (Claire Denis, 2013).

OLVÍDATE DEL EROTISMO / Caimán Cuadernos de Cine (nº. 24), pp. 12-14 / Febrero 2014 / [ES]
Sobre la representación del sexo en el cine comercial reciente. Explora tres ejem- plos: Nymphomaniac 1 (Lars von Trier, 2013), La vida de Adèle (Abdellatif Kechiche, 2013) y El desconocido del lago (Alain Guiraudie, 2013).

DOBLE O NADA / Transit / Febrero 2014 / [ES]
Sobre +1 (Dennis Iliadis, 2013).

ALL TOMORROW’S PARTIES / Co-author: Adrian Martin / MUBI Notebook / January 2014 / [EN]
Audiovisual essay + text on dance scenes in Philippe Garrel’s cinema.